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I was born in 1986, which I would argue essentially makes me the quintessential ’90s child, coming into the decade as a four-year-old making some of my first television memories and leaving it as a jaded 14-year-old, certain that The Simpsons probably had “a season or two left, at best.” But one thing is certain: I watched a whole lot of TV.
In that decade, I watched some of the best shows, such as the aforementioned Simpsons in its heyday, and I watched some absolute dreck—I’m talking Street Sharks and SWAT Kats-type stuff here.
Sometimes it seemed like every other Blossom episode was “very special.” 84.
A bit of a blowhard and a paper tiger, Martin is a funny guy who likes to act tough, but is secretly a softy on the inside, a characteristic only rarely seen by his more serious, long-suffering girlfriend, Gina.
The show had a bit of an odd conclusion, as a sexual harassment lawsuit from Tisha Campbell resulted in her being absent through a good portion of the final season.
Sincerity seemed to rule the airwaves as the ’90s opened, gradually replaced by a sense of cynical, defeatist satire as the decade progressed.
It was a transformative period for so many televised genre programs, from science fiction and mystery to horror and absurdist humor.Its accompaniment was the steely voice of Robert Stack, who would reel off quite the list of disturbing “mysteries” each week, from unsolved crime cases and conspiracy theories to terrifying dips into the supernatural.That was the bizarre thing about the show—it could go from a story about long-lost twins somehow finding their way back together into a segment about demonic possession or alien abduction at the drop of a hat.Good things arose from the competition between Ted Turner’s WCW and Vince Mc Mahon’s WWF and the so-called “Monday Night Wars” that resulted, as the quest for ratings drove creativity and some of the most popular characters of all time, including Stone Cold Steve Austin, The Rock, Goldberg, Sting and more.