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Congratulations to everyone at the Geffen, especially Randy and Gil!
And to the entire creative team (Gio, our director, Ramiz and Raffi, our actors, Tom, Lap, and Denitsa, the visual designers, and Maggie, our stage manager)!
After a few months of struggling with some access to this blog which included some hosting matters), I’m finally able to give an update about some of the work that I’ve been doing.
That piece was also about clowns entering a new land, and even then, we wanted to focus on the social issues (immigration, xenophobia, cultural identity, assimilation) that immigrants face.We immediately jumped into rehearsal, Eli working with the clowns on the mainstage while I worked with Ada downstairs in the studio theatre.After almost a week of rehearsing separately, we put the music and the clowning together and started to craft the show.In March, I opened a funk musical that I scored in socal.